- two lens set: 70-200 mm f/2.8 + 200 -500 mm f/5.6 1.4kg + 2.3kg lenses. Both can be shot wide open also at the long end with no regret. - tamron or sigma 150-200 f/6.3 at the long end 2 kg or more depending on model. To cover the short tele range probably again the 70-200 f/2.8 on the FX camera.
Tamron 70-200f2.8 vc on a Nikon D800 I have just taken delivery of this lens and completed testing today. The copy I have has put in what I can only describe as an astonishing performance in every area. the corner performance is incredible, at a range of 20 ft, 6pt text is visible and clearly readable in each of the four corners, the vignetting is negligable and the autofocus is bang on the
I was in the same boat after I moved to the Z system earlier this year. I used the F-mount 70-200mm E FL on a Z7 for a couple of assignments before lockdown hit, and found image quality, AF and VR to be just as good as it had been on my D850 (not surprisingly). However, I did find the handling a bit awkward.
マイナビニュース がZ 70-200mm f/2.8 VR Sのレビュー記事を掲載しています。詳細なレビューがありますので、全文は記事元リンクからご覧ください。 記事によれば、Z 70-200mm f/2.8 VR SはZシリーズのポテンシャルを引き出す素晴らしいレンズだとしています。
Bottom, Nikon 70-200mm f/2.8 VR. Optics. 21 elements in 15 groups. 5 ED extra-low dispersion elements, which help reduce secondary axial chromatic aberration. Multicoating. Diaphragm. 9 blades. Round at larger apertures, nonagonal at smaller apertures. Coverage. FX, 35mm and DX. Focal Length. 70~200mm.
NIKON Z 5 + NIKKOR Z 24-200mm f/4-6.3 VR @ 200mm, ISO 200, 1/40, f/8.0. The next page of this review dives into the 24-200mm f/4-6.3’s construction and real-world use in more detail. So, click below to go to the next chapter, “Build quality and handling.” Build Quality and Construction. The Nikon Z 24-200mm f/4-6.3 VR is not a heavy-duty
The NIKKOR Z 70-200mm f/2.8 VR S is a remarkable lens for video applications. Smooth, silent AF with virtually no focus breathing. Standard 77mm filter support. Superior optical image stabilization combines with the camera's* in-body image stabilization and Electronic VR.
In fact, if you look at Photozone's testing of the 80-400 VR compared to the 70-200 f2.8 VRI (not VRII) + 2x TCII (not TCIII), and you will see that the 70-200 + TC combo stands up very well to the 80-400. However, the 70-200 f2.8 VRII + 2x TCIII is a better combo and the results would be better again than the 80-400.
Except for the Tamron 70-200mm, all other lenses have image stabilization / vibration reduction technology. The new Nikon 70-200mm f/4G VR offers the best stabilization technology with up to 5 stops of advantage (on paper, read about my VR experience further down in the review), while both Nikon 70-200mm f/2.8 and Sigma 70-200 f/2.8 are at 4 stops.
Nikon Z 70-200mm f/2.8 VR S Review. By Nasim Mansurov 60 Comments ISO 64, 1/15, f/5.6 NIKON Z 7 II + NIKKOR Z 70-200mm f/2.8 VR S @ 70mm, ISO 64, 1/5,
The lens you are considering is called the AF-S 70-200mm f/2.8G VR II. It replaced the earlier AF-S 70-200mm f/2.8G VR, and was itself replaced by the current AF-S 70-200mm f/2.8E VR FL. Yeah, they do get various names so one other way is to check the Nikon product number: 2139 70-200mm f/2.8G ED-IF VR AF-S Zoom-Nikkor
If money is no object: 70-200mm VR 2 f2.8. If money is object but FX: 70-200mm VR F4. If Dx camera: 70-200mm VR 1 f2.8. I could go in very long technical reasons why, but that might bore you. I thought the older VR1 70-200 could not auto focus on a DX camera like the 5200.
As promised, Nikon has updated the legacy F mount 70-200mm to include support for users of the Z mount system with the new NIKKOR Z 70-200mm f/2.8 VR S lens. While the Nikon Z 70-200mm f/2.8 VR S is not cheap, it is an exceptional lens, and like most things Nikon by next year, you should find this lens available at a lower cost.
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This state-of-the-art VR II model is ultra-sharp, especially at f/2.8, and autofocuses just about instantly. If all you've shot before are consumer lenses or zooms, this 300/2.8's autofocus speed will seem unbelievably fast. It also adds better VR than before, too. Nikon claims three stops of VR improvement.
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nikon 70 200 f2 8 vr review